
Cinematographer
Rudolph Maté
Born January 21, 1898 in Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland]Died October 27, 196444 films
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Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director.
Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films.
Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944).
In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950).
Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese.
He died from a heart attack in Hollywood on October 27, 1964 at the age of 66.
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The best way into Rudolph Maté's work
First watchThe Passion of Joan of Arc19288.0A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior.View filmEssential films
Ranked by acclaim and reachFilmography
44 films- 1947It Had to Be YouDirector of Photography
- 1947Down to EarthDirector of Photography
- 1946GildaDirector of Photography
- 1945Over 21Director of Photography
- 1945Tonight and Every NightDirector of Photography
- 1944Address UnknownDirector of Photography
- 1944Cover GirlDirector of Photography
- 1943SaharaDirector of Photography
- 1943They Got Me CoveredDirector of Photography
- 1942The Pride of the YankeesDirector of Photography
- 1942To Be or Not to BeDirector of Photography
- 1941That Hamilton WomanDirector of Photography
- 1940Seven SinnersDirector of Photography
- 1940Foreign CorrespondentDirector of Photography
- 1940My Favorite WifeDirector of Photography
- 1939The Real GloryDirector of Photography
- 1939Love AffairDirector of Photography
- 1938Trade WindsDirector of Photography
- 1938BlockadeDirector of Photography
- 1938The Adventures of Marco PoloDirector of Photography
- 1937Stella DallasDirector of Photography
- 1937OutcastDirector of Photography
- 1936Come and Get ItDirector of Photography
- 1936DodsworthDirector of Photography
- 1936Our RelationsDirector of Photography
- 1936A Message to GarciaDirector of Photography
- 1936Charlie Chan's SecretDirector of Photography
- 1935Professional SoldierDirector of Photography
- 1935MetropolitanDirector of Photography
- 1935Dressed to ThrillDirector of Photography
- 1935Navy WifeDirector of Photography
- 1934The Last BillionaireDirector of Photography
- 1934LiliomDirector of Photography
- 1933The Adventures of King PausoleDirector of Photography
- 1933Song of the StreetsDirector of Photography
- 1932InsultDirector of Photography
- 1932Mister AlbertDirector of Photography
- 1932VampyrDirector of Photography
- 1932Lily ChristineDirector of Photography
- 1932Aren't We All?Director of Photography
- 1930Miss EuropeDirector of Photography
- 1928The Passion of Joan of ArcDirector of Photography
- 1924MichaelDirector of Photography
- 1923The Jew of MestriDirector of Photography







