
Director
Dziga Vertov
Born January 3, 1896 in Bialystok, Grodno Province, Russian EmpireDied February 11, 195467 films
Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.
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First watchMan with a Movie Camera19297.8A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.View filmFilmography
67 films as director- 1942For You at the Front!Director
- 1941In the Area of Height ADirector
- 1938Three HeroinesDirector
- 1937In Memory of Sergo OrdzhonikidzeDirector
- 1937LullabyDirector
- 1934Three Songs About LeninDirector
- 1930Enthusiasm: Symphony of DonbasDirector
- 1930Sound team program No 2Director
- 1929Man with a Movie CameraDirector
- 1928The Eleventh YearDirector
- 1926A Sixth Part of the WorldDirector
- 1926Stride, Soviet!Director
- 1925Kino-Pravda No. 23: Radio PravdaDirector
- 1925Kino-Pravda No. 22: Lenin Is Alive in the Heart of the Peasant. A Film StoryDirector
- 1925Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About LeninDirector
- 1924Kino-Pravda No. 20: Pioneer PravdaDirector
- 1924Kino EyeDirector
- 1924Our Response to the Gloatings of the Capitalist WorldDirector
- 1924Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic OceanDirector
- 1924Soviet ToysDirector
- 1924Kino-Pravda No. 18: A Movie-Camera Race Over 299 Metres and 14 Minutes and 50 Seconds in the Direction of Soviet RealityDirector
- 1924Lenin's Kino Pravda: Truth in CinemaDirector
- 1923First May in MoscowDirector
- 1923Kino-Pravda No. 17Director
- 1923GoskinokalendarDirector
- 1923Kino-Pravda No. 16: Spring Pravda. A Lyrical View NewsreelDirector
- 1923Kino-Pravda No. 15Director
- 1923Give Us Air!Director
- 1923Kino-Pravda No. 14Director
- 1922Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October RevolutionDirector
- 1922Kino-Pravda No. 12Director
- 1922Kino-Pravda No. 11Director
- 1922Kino-Pravda No. 10Director
- 1922Kino-Pravda No. 9Director
- 1922Kino-Pravda No. 8Director
- 1922Kino-Pravda No. 7Director
- 1922Kino-Pravda No. 6Director
- 1922Kino-Pravda No. 5Director
- 1922Kino-Pravda No. 4Director
- 1922Kino-Pravda No. 3Director
- 1922Kino-Pravda No. 2Director
- 1922Kino-Pravda No. 1Director
- 1921The History of the Civil WarDirector
- 1919Literary-Instructional agit-steamboat VTsIK 'Red Star'Director
- 1919The Brain of Soviet RussiaDirector
- 1919The Exposure of the Relics of Sergius of RadonezhDirector
- 1919Kino-Week No. 35Director
- 1919Kino-Week No. 34Director
- 1919Kino-Week No. 33Director
- 1919Kino-Week No. 32 (Fragment #1)Director
- 1919Kino-Week No. 32 (Fragment #2)Director
- 1919Kino-Week No. 31Director
- 1919Protsess MironovaDirector
- 1918Kino-Week No. 29Director
- 1918Kino-Week No. 28Director
- 1918Kino-Week No. 25Director
- 1918Kino-Week No. 24Director
- 1918Anniversary of the RevolutionDirector
- 1918Kino-Week No. 23Director
- 1918Kino-Week No. 22Director
- 1918Kino-Week No. 21Director
- 1918Kino-Week No. 17Director
- 1918Kino-Week No. 5Director
- 1918Kino-Week No. 4Director
- 1918Kino-Week No. 3Director
- 1918Kino-Week No. 1Director
- 1918Kino-weekDirector